November ends, more or less definitively.

Rains and winds had their way,

then that brilliant November light

became brilliant December light.

 

 

Weather

and, when the chill sun shone down, December’s light

along the straits…and so into The Season in earnest with First Street’s Christmas Tree Lighting

and Open House, a big disappointment this year on two counts as, firstly, our favorite “get sushi and not pay”* opportunity was downgraded to guacamole and garlic dip while, even worse,

after fighting to the bottom of First we found the usual crew of punk elves belting out Christmas Classics but no hayrides! Without a draft horse in sight we sadly trudged upstream to alleviate our sorrows with wine, chevre and salad in our own little kitchen as the crowd, glowsticks, fuzzy boots and all the rest, raved against and into the night.

In the morning all evidence was miraculously erased, allowing Our Little Town to definitively open for binins, Christmas Binins, coincidentally at the very moment I was happily able to momentarily enjoy having the ’45 up and running in a fortuitous interim of sun.

Come afternoon we made a rare return to SF, surprisingly easily navigable, where we

investigated galleries.  At Brian Gross, for instance, Phil Sims and these DeForest Dogs whereas

in Dogpatch Ever Gold Projects and others in the Minnesota Street Project had lots to offer

including but not limited to Joey Wolf’s  accomplished if surprisingly extremely gooey paintings.

Then it was up Third to the Mission Street Garage and through crazy crowds of Santas [SF Christmas has become a cross between a mini-Mardi Gras and a Hallowe’en where everyone dresses up in variations of the same costume – hooker Santas, traditional Santas, black Santas, Blimp [good for shoplifting] Santas etc. etc.] to Britex Fabrics, still extant in the heart of the city, still friendly and professional, so L could find material to replace the cape “delivered” by USPS Priority three days late for Izel’s Bed-Stuy birthday and never seen again.  By anyone.

We subsequently witnessed Edward Burtynsky’s “Anthropocene” at Koch, phenomenal work…I was all set to buy the book but even on Amazon it’s nearly a hundred bucks…meanwhile before that intersected Patsy and eventually Jon, who’d endured the hordes of increasingly drunken Santas and masses of traffic seeking parking downtown, to see,

at Haines,

her exquisite [and impossible to photograph] show

before walking a few festive blocks to Claude on Claude Alley for a spendy if pleasantly delicious dinner with pleasantly delicious talk marred only at the end when one of those interchangeably ubiquitous techo-dip shaveheads prevailed upon the hapless hostess to evict us before Patsy had quite finished her dessert wine so he could install his entourage of acolytes and bimbos. But that’s [the new] SF fer ya, and though a bit abacked we left in good spirits to make it across the bridge and home in time for L to catch the last half hour of “Babylon 5”,  to which she is becoming increasingly addicted…all on a foggy foggy night which brought the same for

Sunday, all day, facilitating an interior life readying for yet another departure…

 

*one of many memorable lines from Repo Man, 1984

7 thoughts on “November ends, more or less definitively.

  1. Sibyl Rubottom

    Ah Breitex . Printing on Linen these days and wishing I could pop in there . Will have to check out Babylon 5
    Now . Love to you both . S.

    Reply
    1. mikesmoore Post author

      Yes, apparently it’s becoming harder and harder to find a good fabric store as home sewing verges on extinction…

      Reply
  2. kathy Moore

    Nary a bimbo-hooker-black-shoplifting Santa in sight (or on site) at least not shown for posterity in this blog. A crushing blow….

    Reply
  3. Janet Whitchurch

    So glad to hear Britex is still there! I have memories that go back to shopping with my grandmother there as a child! I am so lucky we have a great fabric place in Santa Cruz (of course) and a less great, but adequate one in Monterey.
    I am enjoying that art scene down in Dogpatch!

    Reply
  4. Fred Kolo

    This came to me, slightly edited here, from a friend who works at Christie’s:

    “In the last 30 days, art specialists at Christie’s experienced one of their most successful Fall seasons:

    In New York the auction house achieved the highest price paid for a living artist’s work (David Hockney’s Portrait of an Artist—$90,000,000);

    In Geneva the highest price-per-carat for a pink diamond (The Legacy Diamond—$50,000,000);

    In Hong Kong the most expensive object ever sold by Christie’s in Asia (Wood & Rock, by Su Shi—$60,000,000). In nearly 2 weeks, the firm transacted over $2 Billion across several key global cities.

    I’m having a hard time computing this, but somehow I thought of it again while going through this edition of your blog. Really great shots here. Nice to see that in spite of Christie’s a sane world still exists.

    Reply

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